Disputed, in the moments of reverie, between the confessional temptation and the obsession of the book, the literary critic Constantin M. Popa offers the surprise of the volume Encruntarile mele amorouse, in which he gathers lyrical creations dominated by the belief that the great culture is not a land to borrow themes or formal procedures, but it represents a huge reservoir of values and suggestions, attractive, equally, for the author and his readers.
