Libertatea sinelui unic

The dexterity of rhyming and the experience of poetic writing lead CRISTIAN GABRIEL MORARU to force destiny and his own prosodic limits, attacking the fable, the epigram, the hymn, the Sophianic quatrain, the cantilena, the ballad, the acrostic, etc., without prejudicing the content or the gift of expressiveness. The result? An airy mannerism, with lexical novelties, implants of neologisms, seals with the vocative persifla(n)t ("stupid", "absoluto"), the imitation of Sorescian orality ("Ian wake up..."), a certain post-Paunesian anchoring in the carnality of the troubled present, dizzying with (how many!) temptations, not certainties. The poet does not disavow the label of the creativeist from the southern suburbs, that is why he arrogates to himself the freedom to put on a pedestal any idea, thesis in conventional forms, vigorously raking the form up to the stage of Entelechy, Lyrical Trapezium, Relativity, as if by proximity the Lion and the hyenas or the nisaica Pletoesa Words. Extracts from the stained society of the 3rd millennium vilify women's frivolity, corruption, superficiality, polytruism or the art of professional escalation, the barren creature, the beautifully packaged thief, debauchery, etc. In this polysemantic and semiotically pregnant lyrical universe, Cristian Gabriel Moraru cuts through the naturalness, the current expression, the pastiche, the inflation of anglicisms advancing for the competent lecturer an Angel be she also the bringer of (sweet) Amertume, who awakens in us the path to fish... IULIAN BITOLEANU